Inverarity is not a Scottish village

Harper Perennial, 2017, 384 pages

Perfect for fans of Jane Austen, this engrossing debut novel offers an unusual twist on the legacy of one of the world's most celebrated and beloved authors: Two researchers from the future are sent back in time to meet Jane and recover a suspected unpublished novel.

London, 1815: Two travelers - Rachel Katzman and Liam Finucane - arrive in a field in rural England, disheveled and weighed down with hidden money. Turned away at a nearby inn, they are forced to travel by coach all night to London. They are not what they seem but rather colleagues who have come back in time from a technologically advanced future, posing as wealthy West Indies planters - a doctor and his spinster sister. While Rachel and Liam aren't the first team from the future to "go back", their mission is by far the most audacious: meet, befriend, and steal from Jane Austen herself.

Carefully selected and rigorously trained by The Royal Institute for Special Topics in Physics, disaster-relief doctor Rachel and actor-turned-scholar Liam have little in common besides the extraordinary circumstances they find themselves in. Circumstances that call for Rachel to stifle her independent nature and let Liam take the lead as they infiltrate Austen's circle via her favorite brother, Henry.

But diagnosing Jane's fatal illness and obtaining an unpublished novel hinted at in her letters pose enough of a challenge without the continuous convolutions of living a lie. While her friendship with Jane deepens and her relationship with Liam grows complicated, Rachel fights to reconcile the woman she is with the proper lady 19th-century society expects her to be. As their portal to the future prepares to close, Rachel and Liam struggle with their directive to leave history intact and exactly as they found it...however heartbreaking that may prove.

Originally published in 1817, 236 pages. Available for free on Project Gutenberg.

Anne Elliot has grieved for seven years over the loss of her first love, Captain Frederick Wentworth. But events conspire to unravel the knots of deceit and misunderstanding in this beguiling and gently comic story of love and fidelity.

Fanny Price, a poor relation of the rich Bertrams, is reluctantly adopted into the family, to be brought up at Mansfield Park, where she is condescendingly treated. Only her cousin, Edmund, a young clergyman, appreciates her fine qualities.

Fanny soon falls in love with him, but Edmund is, unfortunately, drawn to the shallow and worldly Mary Crawford. Fanny's quiet humility, steadfast loyalty, and natural goodness are matched against the wit and brilliance of her lovely rival. The tension is heightened when Henry Crawford, Mary's equally sophisticated and flirtatious brother, takes an interest in Fanny.

Jane Austen's subtle, satiric novel skillfully uses her characters' emotional relationships to explore the social and moral values by which they attempt to order their lives.

When Catherine Morland, a country clergyman's daughter, is invited to spend a season in Bath with the fashionable high society, little does she imagine the delights and perils that await her. Captivated and disconcerted by what she finds, and introduced to the joys of "Gothic novels" by her new friend, Isabella, Catherine longs for mystery and romance. When she is invited to stay with the beguiling Henry Tilney and his family at Northanger Abbey, she expects mystery and intrigue at every turn. However, the truth turns out to be even stranger than fiction.

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"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."

So begins Pride and Prejudice, Jane Austen's witty comedy of manners--one of the most popular novels of all time--that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. Renowned literary critic and historian George Saintsbury in 1894 declared it the "most perfect, the most characteristic, the most eminently quintessential of its author's works," and Eudora Welty in the twentieth century described it as "irresistible and as nearly flawless as any fiction could be."

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